Mise en abyme theatre Fashion spreads were just one

Fashion spreads were just one element in an editorial mix that focused on culture in the broadest sense

The locations hark back to Japan of the 1980’s

one can think of them—and the spaces they inhabit—as an ever-evolving ‘double self-portrait’

have been taken from the gmp Architects’ archive to illustrate the Tegel Gesamtkunstwerk

she realizes she has submitted her will to his and finds that she is a slave without a master

Mise en abyme theatre Fashion spreads were just oneJan Mammeys Mise en Abyme looks at how a photographer looks. As the title suggests, each picture has a picture within the picture, in fact an image, or several, pinned up in the artists studio and documented again. What is more, Mammey first shots focus on modes of presentation advertising, diagrams, architectural models, picture frames so that subjects nest within subjects. Yet despite the matryoshka doll construction, the originally photographed